New York Times
The sweep of the new exhibition at the New York Public Library — “Three Faiths: Judaism, Christianity, Islam” — is stunning. It stretches from a Bible found in a monastery in coastal Brittany that was sacked by the Vikings in the year 917, to a 1904 lithograph showing the original Temple Emanu-El on Fifth Avenue. It encompasses both an elaborately decorated book of 20th-century Coptic Christian readings and a modest 19th-century printing of the Gospels in the African language Grebo. There are Korans, with pages that shimmer with gold leaf and elegant calligraphy, and a 13th-century Pentateuch from Jerusalem, written in script used by Samaritans who traced their origins to the ancient Northern Kingdom of Israel.
The sweep of the new exhibition at the New York Public Library — “Three Faiths: Judaism, Christianity, Islam” — is stunning. It stretches from a Bible found in a monastery in coastal Brittany that was sacked by the Vikings in the year 917, to a 1904 lithograph showing the original Temple Emanu-El on Fifth Avenue. It encompasses both an elaborately decorated book of 20th-century Coptic Christian readings and a modest 19th-century printing of the Gospels in the African language Grebo. There are Korans, with pages that shimmer with gold leaf and elegant calligraphy, and a 13th-century Pentateuch from Jerusalem, written in script used by Samaritans who traced their origins to the ancient Northern Kingdom of Israel.
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